Quotes from the introduction to Left Hand Of Darkness
Absolute belief coexists with knowledge that one has no reason to believe.
In reading a novel, any novel, we have to know perfectly well that the whole thing is nonsense, and then, while reading, believe every word of it. Finally, when we’re done with it, we may find—if it’s a good novel—that we’re a bit different from what we were before we read it, that we have been changed a little, as if by having met a new face, crossed a street we never crossed before. But it’s very hard to say just what we learned, how we were changed.
This is a particularly powerful description of frame entry.
Also a useful frame for reading a textbook, ofr that matter any mathematical proof. We begin with "suppose…"
Originally thought of this when reading .
The artist deals with what cannot be said in words.
The artist deals with what cannot be said in words.
The artist whose medium is fiction does this in words. The novelist says in words what cannot be said in words.
Words can be used thus paradoxically because they have, along with a semiotic usage, a symbolic or metaphoric usage. (They also have a sound—a fact the linguistic positivists take no interest in. A sentence or paragraph is like a chord or harmonic sequence in music: its meaning may be more clearly understood by the attentive ear, even though it is read in silence, than by the attentive intellect.)